I
Seven past
twelve. The silence I hear
still is not hers.
II
Dilligent mows riverbanks
three times fortnightly. In
cases that move her to mow
in the evening, the bright
mud, a shining cradle-cap,
smells to her of a memory
of torrents, torrents
and flooding--
flooding whose greenstick
currents snapped,
whose freshwater urgency chilled
like darkcore. Even still,
she leaves here bearing
the mottlings and pinpricks left
on her hard (and soft) palate
by desolate, unmarked
weeks of inhaling runoff
and silt. She waits a bit, kills
the motor, adds some oil--lights a cig.
III
Whenever she comes to have
mown in the morning, Dilligent
makes time to linger
and watch. Her slate Zippo
tingles, stowed
in her dark locket,
as twenty-two million
gray-green blades
commence a vegetative labor--
to collect the morning
freshness, her stillness,
and the light
of the culminating
sun. Collected and
crushed, like petals
beneath pestles,
they thicken, thicken,
thicken the leaves. The
baby grass
bristles in
precisely.
Then she lets herself breathe
in deeply, as the daybreak
dew reprises itself
on her dark, bare, muscled
back. At noon, the sun
stops.
IV
Twelve times out
of seven hundred, I know,
she even must mow
at midnight. The myrmidon
riverbanks will hear
her approach, and will have hidden,
hidden themselves with leaves.
Far away, the sorrowing
cottonwoods will low
with--and long for--the wind. Fish
silhouettes will leap and gulp
at the breath-laden air--yet
still she'll push.
V
She told me why, once, why,
why she will
push
that ramshackle mower
back and across
three times over--the fields
at stony standstill, the moon
glowering--and still I know
she will. She will.
Barely roused,
one midnight, I
heard her
say it, as I watched
her knot her
hair in braids. "Look,"
said Dilligent, dark
eyes roiling, "wool's warm
plenty, and this coat
fits snug. At night,
the grass may stand
still, but
the clouds lean close.
The chill's
in the air but my blood
beats hot, deep
in the lungs. You're soft
and don't understand--" she kissed
me then (tasting
of
cloves) "--but if
I stay late
enough the drizzle
may come." Come kiss me
again, my Megan.
VI
Still, come those violent
midnights, I'll miss her:
I'll finger my opposite
locket, soon to dream
of cottonwoods deluged, deluged
by shadows and salt--
soon to imagine I see
her, a woman with inlays
of granite, squinting, barely
smiling, meeting the mist
and the moistness, giving
her face, sun-
worn, for the droplets
to kiss.